Monthly Archive for July, 2007Page 2 of 3

RIAA Ex Parte Discovery Against University of New Mexico Denied

From p2pnet:

A typically underhand attempt by Warner Music, EMI, Vivendi Universal and Sony BMG’s RIAA to force a university to hand over the identities of students the Big 4 want to victimise has been nipped in the bud.

The RIAA (Recording Industry Association of America) was demanding the University of New Mexico disclose the names, but judge Lorenzo F. Garcia refused to cooperate, denying the RIAA’s ex parte motion, reports Recording Industry vs The People, going on:

 The Judge ruled that there was no reason for the motion to be ex parte, reasoning as follows:

Plaintiffs contend that unless the Court allows ex parte immediate discovery, they will be irreparably harmed. While the Court does not dispute that infringement of a copyright results in harm, it requires a Coleridgian ’suspension of disbelief’ to accept that the harm is irreparable, especially when monetary damages can cure any alleged violation. On the other hand, the harm related to disclosure of confidential information in a student or faculty member’s Internet files can be equally harmful.

As the Plaintiffs do not presently know the identity of the Defendants, there is no reasonable way to ensure that those prospective Defendants are given notice or even an opportunity to respond in opposition to the request for disclosure. Rather, Plaintiffs seek to obtain information directly from the University of New Mexico. Plaintiffs propose that the University will be able to notify subscribers that a subpoena was served. However, the Court needs to ensure that subscribers actually receive notification and are given a reasonable opportunity to intervene in order to stop the disclosure of sensitive information.

In any event, the Court sees no need to act on an ex parte application. Rather, it would appear appropriate that Plaintiffs and the University of New Mexico confer on an appropriate process to ensure that, if a subpoena is served, the University not turn over information until it has given notice to individual subscribers that a subpoena has been issued and allow those subscribers to intervene in this proceeding to protect disclosure of sensitive information. Moreover, ex parte proceedings should be the exception, not the rule. Accordingly, the Court declines to grant Plaintiffs’ request for ex parte application.

Further, the federal rules prohibit discovery until the parties have met and conferred, formulated an appropriate discovery plan, and made arrangements for disclosure of information. Fed. R. Civ. P. 26. Here, of course, the individual subscribers are unknown, have not been sued and cannot ‘meet and confer’ with Plaintiffs. However, the University of New Mexico, the entity from which discovery is sought, has a right to be heard on this matter.

Accordingly, the Court directs Plaintiffs to contact University counsel, apprise the University that it is seeking discovery from the University, and attempt to agree on a fair and reasonable process that would allow Plaintiffs to identify limited information about the subscribers. If Plaintiffs and the University can agree on a process that includes prior notification to subscribers and a reasonable period of time to intervene or object, a proposed consent order should be submitted. If Plaintiffs and the University cannot agree, the Court will conduct a status conference with Plaintiffs’ counsel and University counsel on the appropriate manner to initiate discovery and provide notice to affected individuals. Once Plaintiffs’ counsel confers with the University of New Mexico legal division, Plaintiffs’ counsel is to notify the Court concerning the status of their agreements, if any.

IT IS THEREFORE ORDERED that Plaintiffs Ex Parte Application for Leave to Take Immediate Discovery [Doc. 4] is DENIED.

EMI Will Sell DRM Free Songs on Apple’s iTunes Music Store

From Freedom to Tinker

EMI, the world’s third largest record company, announced yesterday that it will sell its music without DRM (copy protection) on Apple’s iTunes Music Store. Songs will be available in two formats: the original DRMed format for the original $0.99 price, or a higher-fidelity DRM-free format for $1.29.
This is a huge step forward for EMI and the industry. Given the consumer demand for DRM-free music, and the inability of DRM to stop infringement, it was only a matter of time before the industry made this move. But there was considerable reluctance to take the first step, partly because a generation of industry executives had backed DRM-based strategies. The industry orthodoxy has been that DRM (a) reduces infringement a lot, and (b) doesn’t lower customer demand much. But EMI must disbelieve at least one of these two propositions; if not, its new strategy is irrational. (If removing DRM increases piracy a lot but doesn’t create many new customers, then it will cost EMI money.) Now that EMI has broken the ice, the migration to DRM-free music can proceed, to the ultimate benefit of record companies and law-abiding customers alike.

Still, it’s interesting how EMI and Apple decided to do this. The simple step would have been to sell only DRM-free music, at the familiar $0.99 price point, or perhaps at a higher price point. Instead, the companies chose to offer two versions, and to bundle DRM-freedom with higher fidelity, with a differentiated price 30% above the still-available original.

Why bundle higher fidelity with DRM-freedom? It seems unlikely that the customers who want higher fidelity are the same ones who want DRM-freedom. (Cory Doctorow argues that customers who want one are probably less likely to want the other.) Given the importance of the DRM issue to the industry, you’d think they would want good data on customer preferences, such as how many customers will pay thirty cents more to get DRM-freedom. By bundling DRM-freedom with another feature, the new offering will obscure that experiment.

Another possibility is that it’s Apple that wants to obscure the experiment. Apple has taken heat from European antitrust authorities for using DRM to lock customers in to the iTunes/iPod product line; the Euro-authorities would like Apple to open its system. If DRM-free tracks cost thirty cents extra, Apple would in effect be selling freedom from lockin for thirty cents a song — not something Apple wants to do while trying to convince the authorities that lockin isn’t a real problem. By bundling the lockin-freedom with something else (higher fidelity) Apple might obscure the fact that it is charging a premium for lockin-free music.

One effect of selling DRM-free music will be to increase the market for complementary products that make other (lawful) uses of music. Examples include non-Apple music players, jukebox software, collaborative recommendation systems, and so on. (DRM frustrates the use of such complements.) Complements will multiply and improve, which over time will make DRM-free music even more attractive to consumers. This process will take some time, so the full benefits of the new strategy to EMI won’t be evident immediately. Even if the switch to DRM-free music is only a break-even proposition of EMI in the short run, it will look better and better in the long run as complements create customer value, some of which will be capturable by EMI through higher prices or increased sales.

The growth of complements will also increase other companies’ incentives to sell DRM-free music. And each company that switches to DRM-free sales will only intensify this effect, boosting complements more and making DRM-free sales even more attractive to the remaining holdout companies. Expect a kind of tipping effect among the major record companies. This may not happen immediately, but over time it seems pretty much inevitable.

In the meantime, EMI will look like the most customer-friendly and tech-savvy major record company.

Share Files With Fellow Students Using Driveway

As students in college, we’ve got some needs to share files over the internet. Maybe we need to share a word document with a fellow student, maybe a mp3 of a lecture we missed, or a pdf that we need to study for a test.

Ever tried most of the known file transfer sites? Well let me tell you right now don’t even bother. They’re usually slow, unresponsive, and the links seem to expire when you need them.

Which is why I got excited when I heard about this new service called Driveway. Here’s a snippet from them:

Driveway (http://www.driveway.com) is a new free web based service for online file sharing.

Most email systems such as gmail have limits on file sizes (typically 10-20MB etc..) you can use as attachments; you can overcome that limit by using driveway’s ‘Parkit’ links for files up to 500MB in size and unlimited total storage for sharing with no download limits! You can also post the ‘Parkit’ links in blogs.

Enjoy the beauty of driveway on the internet super highway.

As a test, I put up this pdf of a public domain book I found in Google Books by Charles Thwing titled Letters from a Father to His Son Entering College:

http://www.driveway.com/kkjzy28819

Just type in the security code and hit download!

If you want to upload, go to the main page, hit browse, select the file you want up, decide whether or not you want to “park” another file, and hit send. (if you want the file sent to someone, just fill that section in, but it’s not necessary to use the service.)

Overall, a file sharing service to definitely check out!